For fans of Car Seat Headrest, The Dismemberment Plan, Radiohead, noise rock, and that confused anger that follows a breakup where you can’t decide who’s at fault, Carne by Todos Mis Amigos Estan Tristes uses the dynamic contrast of alternative rock to reflect a bipolar attitude towards guilt, blame, and resentment.

For fans of Comus, The New Eves, Laura Jurd, dark, understated post rock, and the usage of local folklore traditions to advocate for a sustainable future, Fen Creatures by Fuzzy Lights tells the buried ancient history of East Anglia through a unique blend of blues rock, traditional folk, and kraut rock, offering up a prayer for hope in the face of the apocalypse.

For fans of Sigur Ros, Agriculture, Mogwai, romantic-era symphonies, and the counterintuitive connection between black metal and classical music, Adorn by Adorn relishes in the pomp and circumstance of Victorian age courtship through a style which overtly combines neoclassical sounds with extreme metal.

For fans of Caroline, Throbbing Gristle, Lolina, experimental jazz, and the transformation of our deepest desires into an imposing colossus, Study of a Dead End by The Mad Laboratory of Anti-Matter mixes free improvisation with the most extreme sound of prefabricated electronica to create a towering industrial display of human creativity.

For fans of Frail Body, Orchid, Truck Violence, skramz, and being the one person who looks out at the world and dares to ask “why,” The Emptiness of All Things by Massa Nera dashes all our hollow, manufactured optimism with a dynamic, intense post hardcore sound.

For fans of Bjork, Nico, Animal Collective, indietronica, and the dissection of a fragmented self facing digital alienation, DOT by Anastasia Coope slings the current wave of singer-songwriter melancholia into a new experimental dimension.

For fans of Old Saw, More Eaze, Weirs, sludge metal, and the anti-institutional spirit at the core of the American psyche, In the Earth Again by Chat Pile and Hayden Pedigo breaks the budding niche of ambient americana into a new level of success.

For fans of Matmos, Nicolas Jaar, David Lynch’s dialogue, and David Cronenberg’s aesthetics, The Leopard by Sean McCann tells the grotesque tale of five characters cannibalizing themselves in the style of an experimental, musique concrete opera.

For fans of Caroline, Roxy Radclyffe, Ethel Cain, contemporary post rock, and pure simulacra of an American shopping mall, Daughters by Jennifer Walton exposes the absurdity of our mundane surroundings in the face of distant, gnawing tragedy.

For fans of Godspeed You! Black Emperor, Rob Mazurek, Cisnienie, experimental neoclassical music, and the seemingly random harmony of our natural universe, Of the Near and Far by Patricia Brennan builds a new musical language based on the positions of stars in the night sky.

For fans of Boris, Sunn O))), Yoo Doo Right, doom metal, and the overwhelming weight of our darkest accumulated experiences, Cut by Nadja treks with us as our legs buckle under a lifetime of trauma.

For fans of Heccra, Blemishes, Midori, late stage hyperpop, and the overstimulation of consumer capitalism, ぼぼくくととききみみだだけけののせせかかいい by moreru fires off blazing rounds of teenage angst with some of the highest octane internet noise rock available.

For fans of Faust, Current 93, Wojciech Rusin, sound collage, and the reclamation of discarded human expression, Unterhaltungen mit Larven und Überresten by Läuten der Seele lets us eavesdrop on the rich life of a forgotten subterranean world.

For fans of Idles, Sonic Youth, Fugazi, college rock, and the bleak doom of an ancient civilizational collapse, A Dream Unearthly by Vexations tells unsettling stories of an archaic world in decline with the help of a deeply unnerving noise rock sound.

For fans of Cisnienie, The New Eves, Natural Snow Buildings, free jazz, and that eerie feeling that you’re living through the opening shot of a horror movie, Rites & Revelations by Laura Jurd captures all the inherent darkness of traditional European folk music with a style steeped in contemporary jazz.

For fans of Talking Heads, Devo, The Smiths, garage rock revival, and the non-heirarchical organization of information, Rhizome by Cistern crowns the peak of the current post punk trend with their boundary-breaking approach and impactful storytelling.

For fans of Chat Pile, Unwound, Have a Nice Life, the heavier elements of slowcore, and the monumental task of accepting the flaws and limitations of the world you’re inhabiting, Anything Can Be a Hammer by Bloodsports anchors us in our fragile bodies and flawed contexts with a dissonant, dynamic approach to indie rock songwriting.

For fans of Guerilla Toss, Cardiacs, Magma, hyperpop, and extreme anxiety which manifests as a sense of manic whimsy, Making a Rubber Band Ball in the Brain of the Mind by Drive45 redirects our high-strung inner hell into a creative explosion.

For fans of Rage Against the Machine, Fugazi, Gang of Four, youth crew hardcore, and the rude awakening to a world seemingly designed to perpetuate suffering above all else, Hostile Design by Black Eyes gives us cause to dance in spite of and in response to the abundant pain of crumbling institutions.

For fans of Dazzling Killmen, Swans, Shearling, post rock, and emotional explosion that detonates as shock turns to grief, You Left Us in the Spring by Vangas speaks in a breathtakingly subtle, relentlessly tense aesthetic voice to shout tales of deep, dark, empty loss.