Dolt Land by Grift

Nature is often conceptualized as a distinct place that is separate from civilization. This is a false dichotomy with dangerous implications, as a slippery slope into anti-human ecofascism. However, on the new album Dolt Land from neofolk artist Grift, also known as Erik Gärdefors, the illusory boundary between humanity and nature is further exposed and dissolved. Before the music even begins, field recordings of an owl backed by rushing rivers and rustling of leaves invite the listener deeper into the forest. These samples are featured throughout the record, transforming this acoustic guitar-driven album into an immersive experience as it continues into the heart of the Swedish countryside, accompanied by glockenspiel, melodica, chimes, and more. 

Despite the soft sound to this record, Grift’s black metal roots shine through. Erik’s vocals sometimes border on creaky howling, with riffs that sound like they could be transposed to electric guitar and shredded over blast beats. And with its melancholic, haunting tone, fans of heavier genres are sure to appreciate this understated release. Coming from a place of deep appreciation and a truly mystical reverence for the land, Grift places humanity not above nor below nature, but as an integral part of our environment that must be protected too. -Kalen